Get to Know...Nicole Chamberlain
Q&A with Nicole…
What about new music for the flute appeals to you?
I love how flexible the flute can be. Once type cast as the bird, the flute has become more of a chameleon thanks to the wide use of extended techniques. Need a percussionist? Ok, use some beat boxing. Need a calliope? Multiphonics will do the trick. Wish you had a trombone? Try pitch bends. Want plucking, but no strings players? Flutes can pizz that!
Who are your favorite new music composers?
I have a long list, and I’ll try to narrow it down to categories. Valerie Coleman for chamber music, John Adams and Osvaldo Golijov for orchestral music, and Carlisle Floyd for opera. I’ve also been shaped by other composer’s approach to music like Jennifer Higdon’s own career journey through self publication, a life changing Joan Tower residency, and a chance encounter with Katherine Hoover about what my next step should be when composing. How can I not include my own composition teacher Dr. William Davis? What all these composers have in common is their unapologetic way of composing and running their own career. They write what they love, and run their careers the way it works for them.
Describe your musical background and activities.
Post graduate work wasn't for me, which means no job at a university. I've carved out a happy life as a flute teacher to many middle and high schoolers, composing for various ensembles and organizations, and catching gigs where I can. I work every week with Perimeter Flutes, and it’s the only ensemble I am currently active in. I decided this year to make some hard decisions and cut back my performance ensembles and other obligations to focus more on composing. So far, that has been a good decision. I enjoy performing, but I am being more selective. Sometimes I'll take a gig for financial reasons, or I will take it because it’s a rare opportunity. The ultimate goal, however, is to be composing more and get my stuff out beyond my immediate circle.
What advice can you give to flutists about approaching new music in practice?
As a composer and an active performing flutist, I’ve had experience being on both sides - sometimes both at the same time. My initial gut reaction about tackling a new piece is usually one of being overwhelmed and frustration. The first few practice sessions usually take research, communication with the composer, and patience. Once I get into the piece, I get excited about the piece. It takes time to make new friends, and that’s what a new piece of music is. So my advice is keep an open mind, try new things, and take risks. The great thing about new music is that it gets you out of your comfort zone. It’s all new, and that’s the point, but you only get better when you go beyond what you’ve performed/written before.
Do you have any upcoming events you would like our friends and followers to know about?
I am preparing a recital of me and my husband’s, Brian Chamberlain, music which will take place on October 29 here in Atlanta at the Eyedrum. It’s the first of a Composer Concert series hosted by Eyedrum. The concert is being called CHAMBERlain MUSIC, since all of the music is for chamber ensemble and composed by the Chamberlains. I will be performing all of the music, and some of the music will be the first time I’ve performed it, like Asphyxia. I will perform some solo works as well as pieces with Perimeter Flutes (we’ll perform French Quarter) and Two Shots Trio (a flute, clarinet, and bassoon trio). You can learn more about that event on my website: nikkinotes.com.
More about Nicole…
Nicole Chamberlain (b. 1977) is a composer and flutist living in Atlanta, GA. In 2010, Nicole won “Audience Favorite" at the Atlanta Opera's first 24-Hour Opera Project for her opera "Scrub-A-Dub Raw" which resulted in the Atlanta Opera's first ever commission of the children's opera, "Rabbit Tales", which received over 50 performances and kicked started her career as a composer. Nicole has also been
commissioned by groups such as the Georgia Symphony Orchestra, Oklahoma Flute Society, Atlanta Flute Club, Flute Choir of Atlanta, Cuatro Puntos, Dahlia Flute Duo, Clibber the Jones Ensemble, and Hopewell Middle School Symphonic Band among others. She has had works performed at the 2013, 2015, and 2016 National Flute Association Conventions. She also won the 2013 Areon Flutes International Composition Competition, 2nd place in the 2014 Flute New Music Consortium Composition Competition, 1st place in the 2015 The Flute View's Composition Competition, and honorable mention in the 2016 Flute New Music Consortium Composition Competition Solo Category.
Nicole received her Bachelor’s in Music Composition from University of Georgia where she studied with Dr. William Davis, Dr. Leonard Ball, Dr. Lewis Nielson and Dr. Roger Vogel and was selected for masterclasses with Charles Wuorinen and Joan Tower.
Nicole, as a flutist, she has appeared with such groups as Georgia Symphony Orchestra, Gwinnett Ballet
Orchestra, duoATL, Mercury Season, Terminus Ensemble, Chamber Cartel, Perimeter Flutes, neoPhonia, Bent Frequency, Capitol City Opera, and Orchestra Atlanta. Nicole has participated in Masterclasses with Bradley Garner, Paul Edmund-Davies and Dr. Gordon Cole. Nicole's former flute teachers have included Donna Orbavich (Hong Kong Symphony), Lisa Wienhold (Alabama Symphony), Dr. Ronald Waln (University of Georgia) and Atlanta Symphony Orchestra's principal flutist, Christina Smith.
Currently she balances her time composing, teaching students, performing, and avoiding graphic design
work as much as possible. Nicole lives in Doraville with her husband, guitarist and composer Brian
Chamberlain. For more information visit her website: www.nikkinotes.com
Nicole’s other works for flute…
Nicole has 71 works for flute in various instrumentations. Learn more about them on her website: