The vast array of instrumentation possibilities means that the chamber music category often yields really interesting works with great colors. This is definitely the case with John Allemeier’s Bolamkin for alto flute, vibraphone, and piano. Plus, we love the alto flute! John has composed a fantastic array of chamber works including the flute with really cool combinations and colors. You can hear recordings of many of them on his SoundCloud page and website.
 
Q&A with John…
 
What about new music for the flute appeals to you?
As a composer, I am drawn to the flute because of its versatility and agility.  The flute has virtuosic technical ability combined with boundless potential for lyricism.
 
Describe your musical background and current activities.
While I was trained as a composer for concert music, a major component of my creative work for the last few years has been writing music for modern dance.  Writing music for stage performances has fundamentally changed how I compose for the concert hall.   Throughout my career, some of my best performers were flutists and my success writing for flute is due to their patience and willingness to work with me.
 
Do you have any upcoming events that you would like our friends and followers to know about?
ASSEM3BLY (featuring the amazing Lindsey Goodman) just released a CD on Albany Records that features my composition Bolamkin (for alto flute, vibraphone, and piano).  This recording features some incredible performances and great chamber music with flute.
 
What advice can you give to flutists about approaching new music in practice?
Be patient with the composers and fearless with their music.
 
More About John…
John Allemeier’s music has been described as having a “sweet sense of mystery” by Fanfare and as being “rapturous” by the American Record Guide.  His music has been performed by Ethel, Loadbang, Boston New Music Initiative, Charleston Symphony, ASSEM3LY, Beo Quartet, Due East, Duo XXI, Kassia Ensemble, Low and Lower, Madison Park String Quartet, Terminus Ensemble, and on venues such as the Charlotte New Music Festival, TUTTI New Music Festival, the International Double Reed Society, International Clarinet Society Conference, International Society of Bassist Convention, Piccolo Spoleto, the 5th Annual Festival of Contemporary Music in San Francisco, and the Spark Festival in Minneapolis.  He received his Ph.D. in Composition from the University of Iowa, his MM in Composition from Northwestern University, and his BM in Performance from Augustana College.  He is currently Professor of Composition and Music Theory at the University of North Carolina at Charlotte.  More information is available at www.johnallemeier.com.
 
If you liked Bolamkin…
 
Deep Water for flute, oboe, clarinet, bassoon, horn, timpani, and piano
Pieces of Silver for flute, clarinet, violin, cello and percussion
Santana Mix for flute, cello, double bass, and percussion
Solstice for flute, sax, violin, cello, and double bass
Songs of Earth and Sky for flute, ceramic pots, and berimbau
Those Voices flute, bass clarinet, violin, viola, and cello
 
 

Dana Wilson was named the winner of the Newly Composed Category in 2016 for his work for solo flute and chamber ensemble (ob, 3 cl, bcl, bsn, hn, tpt, tb, pf, perc, db), entitled The Conjurer. This lovely flute concerto in two movements was inspired by the world’s shamanic traditions. Commissioned by a consortium of flutists and wind ensembles, The Conjurer received its first performance in April 2015 by Gabe Southard. The Conjurer is included on a disc of his flute music entitled “The Conjurer: Chamber Music for Flute by Dana Wilson” featuring his colleague at Ithaca College, Wendy Herbener Mehne. She will perform The Conjurer at the 2017 NFA Convention on the New Flute Solos Concert at 1:00 PM on Saturday August 12, 2017. Another of Dana’s works will also be performed; FNMC member Christine Erlander Beard will present the NFA Premiere of Whispers from Another Time for piccolo and piano on the Piccolo Recital II (10:00 Sunday, August 13, 2017).
 
We’re hoping to catch up with Dana at the convention and feature him in a Facebook live interview talking about The Conjurer and Whispers from Another Time, but in the meantime, we wanted to ensure that he was featured!
 
Q&A with Dana…
 
What about new music for the flute appeals to you?
The flute has so many colors and textures, and is able to move from one to another in such a seemingly effortless way, thus providing depth and drama to a given passage or gesture.
 
Describe your musical background and current activities.
I’ve been composing a long time but only came to the flute in recent years in terms of
commissions and lots of performances. (I’m so grateful to all the flutists in the world who are eager to explore new works!) I started my musical life as a jazz pianist and so a good deal of that aesthetic and its musical elements creep into my music. Maybe as a result of that, I’m drawn to the range of color and articulation that the flute provides.
 
What advice can you give to flutists about approaching new music in practice?
Think of all the sounds in the world—from birdcalls to violent storms—and how the flute can explore each so effectively, often jumping dramatically from one to another. Be open to the incredible fluidity that the flute allows music and musical drama to project.
 
More About Dana…

The works of Dana Wilson have been commissioned and performed by such diverse ensembles as the Chicago Chamber Musicians, Formosa String Quartet, Xaimen Symphony, Buffalo Philharmonic, Dallas Wind Symphony, Voices of Change, Netherlands Wind Ensemble and Tokyo Kosei Wind Orchestra. He has received grants from, among others, the National Endowment for the Arts, New York Foundation for the Arts, New England Foundation for the Arts, New York State Council for the Arts, Arts Midwest, and Meet the Composer.  His compositions have been performed throughout the United States, Europe, East Asia and Australia, and appear on over 30 record labels.  Dana Wilson holds a doctorate from the Eastman School of Music and is Charles A. Dana Professor Emeritus at the Ithaca College School of Music. He has written about his compositional process in A Composer’s Insight and Composers on Composing for Band, and is co-author of Contemporary Choral Arranging, published by Simon and Schuster.
www.danawilson.org
 
If You Liked The Conjurer...
 
Afterglow
Instrumentation: flute, clarinet, violin, cello, piano, and percussion
Date: 2011
 
All Our Yesterdays
Instrumentation: flute, clarinet, horn, violin, cello, piano, and percussion
Date: 1999
Duration: 25”
 
Allusions
Instrumentation: flute and piano
Date: 2013
 
And longing to be…
Instrumentation: flute and piano or harp
Date: 2013
 
Breathing the Water
Instrumentation: flute and guitar
Date: 2010
 
Dancing with the Devil
Instrumentation: flute, clarinet, violin, cello, piano
Date: 1998
Duration: 10”
 
Gold Mosaic
Instrumentation: flute, oboe, and piano
Date: 2015
 
Luminescence
Instrumentation: alto flute and guitar
Date: 1998
Duration: 4’
 
Mirrors
Instrumentation: wind quintet
Date:1994
 
Pu Em Remu
Instrumentation: flute and percussion
Date: 1997
 
Shallow Streams, Deep Rivers
Instrumentation: flute, horn, and piano
Date: 2007
 
Sing to me of the Night
Instrumentation: flute, guitar, and cello
Date: 1999
 
Whispers from Another Time
Instrumentation: piccolo and piano
Date: 2001